Elementary - High School Sewn Paintings Early Performances The 1976 All American Glamour Kitty Pageant The 1976 All American Glamour Kitty Pageant Show Great Goddesses Along The Road
Terrorist Kitty and Erma Metal Reliefs Sculpture Installations 1984 NAME Show - Chicago Mid 80's 1989 Chicago Wall Frames Along The Road
Metal Drawings and Books Waterloo Art Center Exhibit Brochure Homeless Drawings 1986-91 Bemis 1993 Bed Shoe Home YWCA Windows 95 Wisdom Picture Pillow Story 1971-2007 Prints Along The Road
Blind in Portugal Blind in New York City Migration and Fatigue Workshift Slow Dip Steady Drip Metal Notes and Books 1979-2009 Homeless Notes Morton's Salt and a Semester at Sea Quality Chef BCISUC In the Studio Along the Road
BED SHOE HOME BED SHOE HOME WORKSHOPS Pathetic and Pitiful Kama Kama Corner (Un)Seen Work: Part 1 (Un)Seen Work: Part 2 (Un)Seen Work: Part 3 The Architecture of Migration Along The Road In the Studio
Full CV 4-page CV Articles & Lectures
AIR Gallery A.I.R. Gallery History 2008 Iowa Arts Council Lucid Planet Mount Mercy University Act Out: Performative Video
Mid 80's

Installation, A.I.R. Gallery, NYC, wood, metal repoussŤ, found materials, Polaroids, drawing on far wall by Nancy Storrow, sculptures 5 ft h., 1986.

Mid 80's Sculptures

By the mid-80's I wanted to undermine the precious quality of the embossed metal surfaces, so I began to use found materials and old roofing metal with increasingly smaller amounts of the metal repoussť. My concepts remained an investigation of shrine like vernacular architecture and the construction of the self, particularly as related to women in contemporary culture. During a residency In Cortona, Italy in 1986, I found new forms to reference while working in an abandoned grade school studio. Forms either began much smaller or much larger than I had been working. Many of the cross-like forms became so large I could almost inhabit them. They began to take on my proportions as well. I now feel like this was a beginning for my containers for the self series fifteen years later. I continued to combine the distressed metal with video, film and photo documentation of more recent performance tableaux in Italy, Egypt, Asia, and Iowa.
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