Elementary - High School Sewn Paintings Early Performances The 1976 All American Glamour Kitty Pageant The 1976 All American Glamour Kitty Pageant Show Great Goddesses Along The Road
Terrorist Kitty and Erma Metal Reliefs Sculpture Installations 1984 NAME Show - Chicago Mid 80's 1989 Chicago Wall Frames Along The Road
Metal Drawings and Books Waterloo Art Center Exhibit Brochure Homeless Drawings 1986-91 Bemis 1993 Bed Shoe Home YWCA Windows 95 Wisdom Picture Pillow Story 1971-2007 Prints Along The Road
Blind in Portugal Blind in New York City Migration and Fatigue Workshift Slow Dip Steady Drip Metal Notes and Books 1979-2009 Homeless Notes Morton's Salt and a Semester at Sea Quality Chef BCISUC In the Studio Along the Road
Kama Kama Corner Pathetic and Pitiful (Un)Seen Work: Traditions and Transitions part 1 (Un)Seen Work: Traditions and Transitions part 2 (Un)Seen Work: Traditions and Transitions part 3 The Architecture of Migration: Iíll be back for the cat Along The Road In the Studio
Full resume 4-page resume Articles & Lectures
BED SHOE HOME AIR Gallery A.I.R. Gallery History 2008 Iowa Arts Council Lucid Planet Mount Mercy University Act Out: Performative Video
Blind in Portugal

Blind Series, photo tableau, Department of Art, Evora University, Evora, Portugal, 2004

Blind

An installation by Jane Gilmor


Eight years ago while shopping in a local camping store a friend and I spotted a peculiarly shaped camouflage print tent on display. I was attracted by it's form, which reminded me of some of my earlier wearable sculptures. The tent was advertised as a "wheelchair accessible hunting blind". It was on sale.

I starred at this "blind" in my studio for three years before it began to infiltrate my work becoming a habitat for the artist on several occasions. Because it was so portable (fit into its own backpack) and related to the current international situation (The Iraq War), I took it with me for my 2003 Fulbright Fellowship in Portugal, where it insinuated itself into some very unexpected environments. Extending from the Portugal project, I've used the blind and constructed mini-blind reincarnations of it to explore issues of voyeurism and paranoia in an era of surveillance and domestic, as well as international, terrorism.

Jane Gilmor, 2006

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