Elementary - High School Sewn Paintings Early Performances The 1976 All American Glamour Kitty Pageant The 1976 All American Glamour Kitty Pageant Show Great Goddesses Along The Road
Terrorist Kitty and Erma Metal Reliefs Sculpture Installations 1984 NAME Show - Chicago Mid 80's 1989 Chicago Wall Frames Along The Road
Metal Drawings and Books Waterloo Art Center Exhibit Brochure Homeless Drawings 1986-91 Bemis 1993 Bed Shoe Home YWCA Windows 95 Wisdom Picture Pillow Story 1971-2007 Prints Along The Road
Blind in Portugal Blind in New York City Migration and Fatigue Workshift Slow Dip Steady Drip Metal Notes and Books 1979-2009 Homeless Notes Morton's Salt and a Semester at Sea Quality Chef BCISUC In the Studio Along the Road
Kama Kama Corner Pathetic and Pitiful (Un)Seen Work: Traditions and Transitions part 1 (Un)Seen Work: Traditions and Transitions part 2 (Un)Seen Work: Traditions and Transitions part 3 The Architecture of Migration: Iíll be back for the cat Along The Road In the Studio
Full resume 4-page resume Articles & Lectures
BED SHOE HOME AIR Gallery A.I.R. Gallery History 2008 Iowa Arts Council Lucid Planet Mount Mercy University Act Out: Performative Video
Jane Gilmor: Biography

Playing house doesnít inspire her, 6yrs, 1954.

Biography

Jane Gilmor is an intermedia artist and Professor of Art at Mount Mercy University in Cedar Rapids, Iowa. She has a BS from Iowa State University, an MAT and MFA from the University of Iowa and additional graduate work at The School of The Art Institute of Chicago. She has exhibited nationally and internationally for the past 35 years and has been awarded NEA Artist's Fellowships, a McKnight Interdisciplinary Fellowship, and residency fellowships in Ireland, Italy, London, and at The McDowell Colony among others. In 2004 she was a Fulbright Senior Scholar in Portugal. In 2008 she co-curated Where are You From? Contemporary Portuguese Art, with Lesley Wright, Director of the Faulconer Gallery at Grinnell College. Her most recent solo exhibitions were at A.I.R. Gallery in New York, Long Island University in Brooklyn. In 2010 she completed a yearlong community-based project and major installation, Un(Seen) Work, funded by an NEA grant to Grinnell College in 2010.

Read a review of theI'll Be Back For The Cat monograph in Cedar Rapids Magazine

She has also recently exhibited at Performa Gallery in Lisbon, Portugal, A.I.R. Gallery in New York, and the Bemis Center for Contemporary Art in Omaha. She is included numerous books including Barbara Love's Feminists who Changed America 1963-1976, Lucy Lippard's, OVERLAY, Contemporary Art and the Art of Prehistory; and Broude and Gerrard's The Power of Feminist Art: The American Movement of the 1970's, History and Impact, Abrams. Her work is in numerous collections including The Des Moines Art Center, The Los Angeles County Museum of Art library, The Bemis Foundation, and The Museum of Contemporary Art in Chicago. She is affiliated with A.I.R. Gallery in New York and Olson Larsen Galleries in Des Moines and has been included and reviewed in numerous journals including Cabinet, The New York Times, The New Art Examiner, and The Chicago Tribune.

Artist Statement

My latest work presents, walk-in books covered with etched metal notes, room-sized installations of wearable structures activated with robotics and embedded with writings on metal and video. Extending from previous work in my Containers for the Self series, these situations further explore those psychologically and culturally based entanglements of image, language and space through which we try to locate our own identity.

For the past thirty years, then, my practice has been concerned with social issues, found situations, and psychological narrative. From The 1976 All-American Glamour Kitty Pageant, to my 70's and 80's photo tableaux of cat-masked Isadora Duncans in the ruins of Greece and the bowling alleys and Laundromatsí of Iowa, to my twenty years of community-based public work in shelters and hospitals--my search is for some unspoken connection in these random collisions of objects, images, and voices.

Copyright © 2009 - Jane Gilmor - All Rights Reserved